The year is 1998 and she is utterly, unthinkingly in love. They are going out for a walk. This is not something he would do normally so she knows he is making a concession. As they progress in silence along the narrow lane that snakes up to the summit of Carne Brae, his long legs stride ahead. His gaze is fixed where the grey column of the Monument dominates the skyline. She trots beside him; tense, a little breathless but pretending to be neither. She does not want to have to ask him if he can please slow down. It is the bright but blustery Sunday afternoon of the weekend before Easter. On the far edge of the Carne, someone has erected the solemn white cross that every year beckons her to guilt and to prayer. This year, though, she is happy. She wants only to give thanks. She is here in Cornwall in the open air and alive again, at last. She is wrapped up warm against the onslaught of this vicious wind. Her hand, child-like in its hand-knitted mitten, rests in the grip of his and both are thrust into the cosy depths of his fur-lined pocket. Yes, she is happy – but there is something else. In some secret place in her heart, she feels almost blessed. She pauses. There is something about this that sits uneasily with her. It shifts and stirs and scuffles in her head, like a rat in a dusty attic. On this bright afternoon, though, she has no wish to locate or examine it. She puts it away and turns her mind to the steepness of the ascent. Her legs are beginning to ache but the trick is not to think about it. Nearly there, she tells herself, onward and upward. At the very edge of her field of vision, she is aware of the arms of the cross. The world has turned. The year is 2005. It is mid-December, the run-up to Christmas. Against her better judgement, she is making her way to a kind of outdoor carol concert. People are assembling in the gathering gloom below the Carne’s craggy peak. There will be musical instruments – melodeons, fiddles, guitars, perhaps the odd mandolin; sheet music and excited children, thermos flasks, and lanterns. The atmosphere, she has no doubt, will be fiercely, self-consciously festive. People will laugh and make a great show of stamping their feet against the cold. She will laugh too but she will also wonder how many of them truly want to be there. Given the chance, would they all turn tail and disappear and flee back to their fires? As she makes her way along the narrowing lane, she curses her lack of foresight in not bringing the car. She could have driven it at least this far, parking it on the scrubland to her left. Had she thought to do so, she would now be warm and dry and in tolerably good spirits. She might, after all, have carried the whole thing off. As things are, she feels disaster is imminent: above her head, the sky weighs heavy and there seems to be no end to the rain. She remembers how often she has walked this path – in all seasons and all weather – with Blackjack, her long, long dead Collie, with Sasha, the Alsatian that succeeded him; then with Miranda, still in a buggy and, later, toddling beside it. And, of course, that once with him. Can it really be so far off? As he slips under the wire, soft-eyed and smiling, to take her unawares, she wants only to take her sad heart home and bury it in her bed. But she knows this is not possible. She has arranged to meet people. Foolishly, she gave her word. They are people who, if she is not there, may come to seek her out. We were worried, they will say. You haven’t been well. And you know, at this time of year… Their voices will trail away. They are frightened of what she might do. . Why, she wonders, has no-one the courage to speak their thoughts clearly? Now she has reached the edge of the crowd. She cannot see her friends. The musicians are gathered by a nearby rock, playing in random bursts. A heavy-jawed woman in a rainbow- coloured shawl is trying to tune her fiddle, beside her a jumble of coats and scarves and empty instruments cases. A small black dog leaps from the ground to a rock and then into the arms of his owner who pets the animal and then lets blast with the opening bars of ‘Lamorna’. The dog is wearing a tartan coat. He cocks his head on one side. The dog, she thinks, has an enviable sense of its own belonging in that moment. Soon they will play ‘Silent Night’ and she will want to die. © Abi Wyatt All Rights Reserved millionstories.net |
| We like this story because: It is so deeply evocative of the spirit that moves a person to make such pilgrimage for love. |
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